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Can’t live without… - Jan Thomson
Well, that’s not quite true, but if I had to choose just two pigments to take to my desert island they would be Ultramarine Blue and Burnt Sienna. With these two I can make warm and cool greys, soft underpaintings and juicy darks as well as the clear bright clear colours that they are when used solo. For this little sketch I used Maimeri Blu Oltremare Chiaro and Terra Di Siena Bruciata (don’t they sound good in Italian?). These two colours are my essentials in any brand, so it’s good to compare Maimeri with the others I’m more familiar with....
Canson Heritage WC paper - Jan Thomson
Heritage watercolour paper is top of the Canson range. This 100% cotton paper, as with their Moulin de Roy paper, is available in Hot Pressed, Cold Pressed and Rough. All of the Canson papers come in 24 x 32” sheets, which is a great way to buy it and if needed you can then cut to whatever size you like. I suggest for beginning painters that you buy a pack and share it with a friend, which is an economical way to try artist grade materials. So, I tried the same painting exercises that I did a few weeks ago...
Moulin de Roy WC Paper - Jan Thomson
The Canson paper company had its beginnings in a small village in France in 1557. Since then it has become world famous for its high-quality art papers (as well as being responsible for making and launching the first hot air balloon in 1782!). Luckily for those of us who paint, they set aside aeronautical ambition and continued to research and produce art papers. Today I’ve been trying out their Moulin de Roy range. This paper is made from 100% cotton and would be a great everyday paper to use. It meets acid free and archival standards, so you can confidently...
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